Mélisande McNabney performs keyboard music of all periods, on harpsichord, piano and fortepiano. In August 2015, she received the third prize at the International Competition Musica Antiqua in Bruges, Belgium.
Very active on the concert scene, Mélisande was invited as a soloist in series such as Clavecin en Concert or the Série Jacques Dansereau at Bourgie Hall. As a chamber and orchestra musician, she is regularly invited to play with Les Violons du Roy, Arion Orchestre Baroque, Montreal Bach Festival Orchestra, Les Idées heureuses, the Theater of Early Music and Ensemble Caprice. She is a member of Pallade Musica and ensemble Les Songes, with whom she took part in numerous tours of Canada and the USA. In January 2019, Mélisande released her debut solo album, Inspirations : D’Anglebert, Forqueray, Rameau, on the label ATMA Classique. Well received by critiques worldwide, the recording received 5 Diapasons from the famous French magazine.
In 2021, Mélisande looks forward to concerto appearances with Arion Orchestre Baroque and Les Violons du Roy, as well as the launch of her second solo album with ATMA Classique, this time on fortepiano.
In addition to her performing activities, Mélisande is also an active researcher in the field of performance practices, and will be presenting in two international conferences in the summer of 2021: the HKSNA conference in St. Paul, Minnesota, and the Biennial International Conference on Baroque Music in Birmingham, UK.
Mélisande is a graduate of the Amsterdam Conservatory where she studied harpsichord, continuo and fortepiano in the classes of Bob van Asperen and Richard Egarr. She was granted her Doctorate degree at McGill University in May 2017, under the guidance of Hank Knox and Tom Beghin, thanks to the support of the Joseph-Armand Bombardier Canada Graduate Scholarships Program.
Mélisande has received scholarships from Musicaction, the Canada Council for the Arts, the Banff Centre, the SSHRC, the FQRSC and the CALQ.
mmelisande@gmail.com